Tuesday, February 08, 2011
Canada Reads 2011 - Day Two, Round Two
Defenders of the four remaining nominated titles (The Best Laid Plans, The Birth House, The Bone Cage, and Unless) discussed the contest at the top of the show. 'This,' said Ali Velshi, is serious business.... I want to make the best case that I can, and the most relevant case that I can.'
Reflecting on the fact that Essex County was eliminated yesterday, Lorne Cardinal said, 'I was the heel, I just happened to be sitting in the number three [voting] spot.'
Ghomeshi mentioned again that Unless was trailing in the online poll on the first day of the contest. Lorne Cardinal said he was surprised, since Carol Shields is one of our premiere authors, and Unless is a literary gem. At this point Ghomeshi pointed out that Unless did not win the Pulitzer Prize, but that The Stone Diaries did. It was unclear from the conversation whether Lorne Cardinal had actually been confused about this or not, but it was nice to get it cleared up. 'She's still a Pulitzer-prize winning novelist though,' said Cardinal, which nicely covered his factual error – whether inadvertent or deliberate.
Georges Laraque appeared on the show wearing a T-shirt made by Angie Abdou with a photo of the two of them on it. He pointed out that she has the least funding support of all the books in the contest (presumably because The Bone Cage was published by NewWest Press, a small Western Canadian publisher, while the other books have the marketing muscle of Random House Canada, Harper Collins, and McClelland and Stewart behind them).
Today's show featured author descriptions of the novels, which was a pleasant change of pace, followed by 30-second defenses of the books. Terry Fallis said that The Best Laid Plans, which won the 2008 Stephen Leacock Medal for Humour, was 'the story of an accidental MP.' Ali Velshi declared the book is essential because we're all fed up with politics. 'This book is about making democracy work ... and it's as current today as it was when it was written.'
Ami McKay's clip described The Birth House as being about science at the turn of the 20th Century. 'Dora Rare...is destined to become the midwife for her community, but she's reluctant.' Debbie Travis went on to say, 'It's about a changing world ... it's about holding onto our traditions and embracing our future,' and about 'using our past for the benefits of today.'
Angie Abdou summed up The Bone Cage very succinctly by saying, 'The Olympics leaves its athletes' broken souls. The Bone Cage shows why.' Georges Laraque amplified this theme by saying it's a novel about 'what happens when a body fails' and that 'we all face failure.' He also reminded listeners that it's a 'story about love' (the love Sadie has for her grandmother).
A 2002 Carol Shields recording described Unless as 'The voice of a woman, a 44 year old mother with three daughters,' one of whom has become a derelict who lives on the street with a sign saying 'goodness' hung around her neck. 'This is the great loss that I'm speaking about.' Lorne Cardinal said Unless is a novel within a novel within a novel, written in the 'language of love, loss, laughter and hope,' full of 'transcending moments' and 'stellar' writing.
Ghomeshi's opening question for this round was, 'Which of these four remaining books is the best written?'
Velshi pointed out that, 'Well written can mean many different things to many different people' and said that to him, well written meant accessible. While Shields is the most accomplished writer, The Best Laid Plans is the most accessible of the four remaining novels in the competition. 'It's satire ...a little bit of humour and a little bit of sarcasm.... It's not a dark book, but it's about a very serious issue. It makes you laugh every two seconds.'
Debbie Travis pointed out that there's a big difference between an accessible book and an essential book. 'We're here for the essential book.' But she continued by saying The Birth House was the best written. 'A book is a fantasy, it's a world ... it's like watching a movie.... You're involved in this story, you look up from the book and say, 'oh, I'm not in 1917.''' She found Unless predictable. 'My book has a beginning, a middle and an end, and it draws you in.' (See below for more of Debbie Travis's thoughts on Unless – and for her confession re The Best Laid Plans.)
Georges Laraque came out swinging by stating, 'This contest is not about picking your favourite book.' 'Everybody has to relate to that story.' 'If you go with your personal choice, that's being very selfish.' 'Everybody knows people who are into sports.' He then said Shields' Larry's Party should have been the Canada Reads contender, not Unless. 'Unless was hard to get into ... the wording.' 'Our role is to get Canada to read more.' If Unless is selected ... 'they'll never read again.'
Sara Quin responded with, 'I totally disagree' and picked Unless as the best written of the four remaining books, describing the story as beautiful and moving. (Which of course has nothing to do with the way it's written, story being plot, not style, but never mind.) She also liked The Best Laid Plans for its entertainment value. 'You could pick up this book in an airport ... it's easy to read, it's a great story ... it's the quickest story ... it's the easiest read.' She then said, 'It's a bigger idea, a more universal issue,' a remark that didn't really become clear until later in the debate.
Lorne Cardinal of course stuck with Unless as the best written of the four novels, saying, 'Structure is key to understanding content.' He then immediately undercut the argument he may or may not have been trying to make re the structure of Unless by actually talking about how well the book is written: 'You can flip it open at any page and read it out of context, pick any page and read and it will jump out at you.'
Debbie Travis said Unless is 'beautifully written, but it's two books in one.' 'She writes about writing a book' and felt the 'story that's going on within the story is too introspective.' Which may have been a response to the red herring regarding structure introduced by Cardinal.
Cardinal responded by saying Unless is 'a novel that promotes thought and debate and that's the point of literature.'
Velshi then said Unless is 'not as easy a book to read' as The Best Laid Plans and if accessibility is what you're going for, it's not the most accessible but it 'does cause you to fire different synapses.'
Cardinal responded to Velshi's claim that Unless is not easy to read by saying, 'woman's voice is under-represented in our literature [sic] canon today,' that Shields was a victim of her own success and that her work is currently suffering from 'The Munro Principle' – she's already won a lot of awards. He then startled everyone by saying if Unless were taken off the table, he'd pick The Birth House (as best written? As most essential read? That wasn't quite clear).
Ghomeshi summarized this year's nominees as all being about loss: loss of a daughter (Unless), loss of career hope (Essex County), loss of mobility (The Bone Cage), 'The Birth House has all sorts of calamities, ' Angus in The Best Laid Plans loses his wife and writes to her after her death, then asked the panelists, 'Which book deals with loss most memorably?
Sara Quin said Unless, and talked about the scene where Reta drives around the block looking for her daughter, who's living on the streets, finally spots her and is happy because she sees her daughter's wearing gloves on a cold day.
Georges Laraque talked about Sadie losing her grandmother in The Bone Cage. 'She takes time to see her grandmother and it's killing her inside ... but she still needs to focus ... when she loses her mobility that totally kills you – it's heartbreaking – what is she going to do, how will it affect her spirit?' 'Nothing is guaranteed.'
Ghomeshi interjected, 'I found it an incredibly powerful meditation on loss when she loses her mobility.'
Sara Quin then talked about The Best Laid Plans' Angus writing letters to his wife after she was dead and how touching she found them. She then spoke about focus and drive and the parallel between being an athlete and being a musician. 'I hurt my finger and I can't even wash my hair properly,' she said, immediately followed by 'that was silly.' Since I'm already being accused in this blog of being anti Sara Quin, I'll just let that one go, shall I?
Cardinal spoke about Unless again. Shields, 'writes about loss, but she also writes about hope .... she writes about the fragility of our lives' and about '... a child discovering the world and their place in it.'
Debbie Travis pointed out loss was a theme in all five of the books. But, 'I don't think the writing of The Bone Cage and The Best Laid Plans can hold a candle to Unless.' And then, having answered the previous question about which book was the best written and having reluctantly named Unless this time, she said, 'What I hated about the book [Unless] ... was I was so not interested in her writing journey...' The real corker in today's debate came next, when Travis confessed she hadn't been able to get through The Best Laid Plans. She got angry with it – felt her time was worth more than this – didn't find it funny at all. In fact, she said, it was 'so unfunny I wanted to throw it away. I liked the Scottish guy. I'm not interested in Canadian politics.'
Velshi then pointed out that, 'Debbie is very very stuck on this idea, like many people, that they don't like politics.' His alternative interpretation is that The Best Laid Plans is a, 'a story about inspiration for change.' To which Debbie Travis replied that the inclusion of Angus' letters to his dead wife were an excuse for bad writing. 'You said be truthful.'
Ghomeshi returned to the conversation, saying that 'Unlike most CBC game shows – winning Canada Reads can actually be pretty lucrative' and claiming that it fuels book sales in the same way (although not to quite the same extent) as The Giller Prize. (Note: I'm working on another post on this subject for next week.) After winning Canada Reads, Lawrence Hill's The Book of Negroes sold half a million copies, said Ghomeshi.
The four remaining authors were asked what they'd do for their books' defenders if the book won the Canada Reads contest. Terry Fallis said he'd not only owe Ali Velshi big, he'd write him in as a character in his next novel. Ami McKay announced Debbie Travis would have to renovate her kitchen if she doesn't win. Angie Abdou vowed not only to do an Ironman contest, but to peel oranges for her defender. Anne Giardini, Carol Shields' daughter, said she'd buy Lorne Cardinal some Haida artist earrings.
'You can't talk about Canada any more without talking about how Canada has changed in the last few decades – it's incredibly diverse,' said Ghomeshi, then asked, 'Which of these books best speaks to Canadian society today?'
Cardinal said he wasn't sure, that each appeals to a cross section and some are very specific to certain audiences. The Bone Cage, he said, is about athletes – and then went on to describe the structure of the writing as 'a bit convenient.'
'If someone were to say, these are all "white books" what would you say?' Ghomeshi asked. To which Cardinal replied, 'Well, obviously they are.' He went on to talk about the appeal of Unless to women and the fact that it was written by a woman. 'It's ridiculous to think women haven't contributed to the literary form.' (I didn't quite follow this line of reasoning, as three of the five books nominated this year were written by women and focus on female protagonists, but never mind.)
Sara Quin agreed the novels weren't very diverse, but then explained her previous airport remark by saying there was 'a celebrity nature' to The Best Laid Plans and that there was something universal about it, as with all big best sellers – 'it's paced in a way that we've become used to expecting in books and films.'
Laraque defended The Bone Cage by saying, 'This is not just about sports. The Olympics aren't the point – it's the journey.' And then attacked Unless by saying it was hard to read. Velshi repeated that The Best Laid Plans is a call to action.
Ghomeshi updated listeners on the online polling and stated that while yesterday Unless was the book chosen for elimination, today it was The Bone Cage, with Unless following closely.
Debbie Travis said The Birth House is about community and 'the forever-changing roles of women and men.' It's 'so relevant today' and 'it's a novel you'll never forget.' (Presumably also one that doesn't inspire rage for its sheer unfunniness either.)
Cardinal said he didn't trust polls, that 'I can't apologize for excellent writing,' and that while The Best Laid Plans is 'great brain candy, it doesn't delve deeply.'
Laraque got the final word before voting began, saying, 'We have to talk about the book ... that inspires people to read.'
Voting results
Debbie Travis voted to eliminate The Bone Cage.
Georges Laraque voted to eliminate Unless.
Lorne Cardinal voted to eliminate The Bone Cage.
Ali Velshi voted to eliminate Unless.
Sarah Quin voted to eliminate The Bone Cage, breaking the tie.
Laraque's reaction was spontaneous but controlled: 'I'm so mad right now.' 'I'm speechless.' 'I'm in shock. That was not supposed to happen.' 'I don't understand it ... when I picked this book ... I picked a book that would make a difference.'
Ghomeshi described The Bone Cage as 'an outstanding, moving novel.'
Cardinal said, 'it's just about the writing' and that 'structurally Carol Shields is head and shoulders the best writer at this table.'
Travis said, 'I really looked at the writing of The Bone Cage ... this is an important book ... this is a book that should be read in schools ... but I don't think the writing is as good as Carol Shields'.'
Sara Quin said she 'thought it was the weakest of the books ... I felt like I needed to be consistent.'
It is interesting that The Best Laid Plans and The Birth House haven't had any votes against them to date. It's even more interesting to me that after confessing she found The Best Laid Plans too infuriating to finish, Debbie Travis voted to eliminate The Bone Cage. In the meantime, The Bone Cage defender Georges Laraque indicated he'd be supporting The Best Laid Plans until/unless it was eliminated.
Tomorrow: another book will be eliminated at the beginning of the show.
Monday, June 09, 2008
Recently read and in progress
Wrinkled pink poppy with raindrops, originally uploaded by The River Thief. Copyright Ruth Seeley 2008. These gorgeous poppies are at the corner of Third and Fourth in New Westminster.
I've been on a book buying binge recently. It seems nowhere is safe - there are books everywhere (yay!). At London Drugs I encountered Laurie Viera Rigler's Confessions of a Jane Austen Addict and kicked myself for not buying it there, until I remembered I spend quite enough money at London Drugs as is and that I want to support the local Black Bond Books in the Royal City Centre (if only to ensure the mall retains a bookstore). It's already made me giggle several times and I'm only on page 30. The premise is basically the same as that of the Diana Gabaldon books: a modern young woman (this one hales from 21st Century LA) is transported back in time to the Regency period, having just ended her engagement. So far she's had to use the chamber pot, flirted with a footman and submitted to being bled. Good thing it's not the Victorian era or she'd be having her insides squished by a variety of corseting devices as well.
I reread Nancy Friday's My Mother, My Self over the course of two long and painful months. How a book I've alread read with only thirteen chapters being read theoretically at the rate of one chapter a day could have taken eight weeks and incurred almost $5 in library fines I'll never know. But can you and Dr. Freud say resistance? I had such mixed feelings when I finally got to the end of it. For one very interval shortly after my mother died last summer I felt I had been reborn. That faded so quickly. While there are numerous criticisms to make of Friday's book (including that her perspective is not really broad enough to be convincing - by focusing on only two generations of women, those who came to adulthood during World War II and their offspring, and by limiting herself pretty much to North America), there is such great sadness in the acknowledgement that we seem predestined to be so much more critical of our own sex than we are of the opposite sex, and that, no matter how highly skilled or highly trained we are, we can only rarely set aside our own emotional needs during the separation and individuation process.
Having read Elizabeth Hay's Late Nights on Air in and around the Nancy Friday, I was impressed by her description of Justice Tom Berger's extensive community and stakeholder consultation regarding the proposed construction of the Mackenzie Valley Pipeline. Late Nights on Air is not the book A Student of Weather is, but it's a good read nonetheless. Wanting to learn more about Berger, I got a copy of A Long and Terrible Shadow from the library, Berger's thin discourse about five centuries (1492 to 1992) of European atrocities committed in the name of progress in the Americas. I only read about half of it - the numbers were too much for me, the stories of betrayal, slavery, the decimation of entire peoples and the sad realization that superior technology can be more seductive than either wealth or beauty.
I've plunged into Michael Redhill's Consolation, a novel set in dual time (late 1990s and mid-1850s). Hailed as 'the' book about Toronto (I've always thought of Margaret Atwood's Lady Oracle and Life Before Man as being the definitive Toronto books, but I was curious), I'm loving it and am having to ration myself to one part per day. The segments alternate between the two time periods as a widow and her family attempt to prove her late husband's theory that some of the ships that sank in the Toronto Harbour have been covered by landfill and that one, in particular, contains an amazing photographic archive of Hogtown in its earliest days. Redhill has an uncanny gift for describing some very subtle familial interplay - the things we say and do that set each other off. He's worth reading for that alone.
I picked up a copy of Sherwin B. Nuland's The Art of Aging one day. One of my pet peeves is that we are forced to take health classes as part of our participation in the public education system, and yet those classes focus on puberty and our burgeoning sexuality. I know all I need to know about those things, thank you very much. It would have been nice to know that one starts to lose to muscle tone in one's 40s. I realize that's a mere statistic and that the odds can be beaten, but knowing what to look out for is helpful. (A simple truth such as, as you age, you will find you need to pace yourself and if you don't want damaged body parts to ache you really do need to get upwards of six hours' sleep a night would have been most useful, for instance.) It wasn't the Nuland book that made me buy the new collection of Nora Ephron essays, I Feel Bad About My Neck. It was my sentimental fondness for her witty titles and my remembrance of the brilliant how to fake an orgasm scene in When Harry Met Sally that sold me. I have been vainly hunting for my copy of Wallflower at the Orgy to see if Ephron's humour was always so brittle and superficial, or if this collection marks a change in my attitude or in her writing. Sadly, it hasn't jumped off the bookshelf at me. Still, a quick and amusing read if you're in the waiting room at the dentist and not interested in last year's Maclean's or Time magazines.
Next up is this year's Canada Reads selection, Paul Quarrington's King Leary. Having read Civilization a couple of years ago, and having been a fan of Quarrington's comic novels for years, I'm swallowing my iconoclastic tendencies and am going to read it (my attitude is usually, fine, if everyone else in Canada is reading it, I don't have to, do I?).
After that there's the new Germaine Greer, Shakespeare's Wife. I admire her greatly, but I don't have a good track record of actually finishing her books - I think the one on menopause is the only one I've actually managed to consume. Still, I like to think I'm supporting her continuing endeavours by generating a royalty payment or two. I can only be grateful that she chose to write about Shakespeare's wife rather than the wife of the English author whose life I hope to turn into a novel some day. And I suppose if I really want to be able to say, 'but it was my idea first' I should be open about it here on the blog, but I'm not going to be.
While at Black Bond on Sunday picking up the Rigler novel, I was seduced by three other novels and slunk home with what felt like ill-gotten gains: another copy of Barbara Kingsolver's The Poisonwood Bible, since I'm obviously never getting my own copy back; the mass market paperback edition of Mark Haddon's The Curious Incident of the Dog in the Night-Time, and Carol Shield's Unless. I am not a huge fan of Shields' work - I wasn't blown away by either The Stone Diaries or Larry's Party. But The Republic of Love, recommended to me years ago by painter and former bookseller friend Barb Symons, was a very fine novel, and on the off chance this one is as good, and because it was selling at the ridiculous remaindered price of $7.99, I bought it. The spectacular cover didn't hurt either.
I am still looking for a copy of Thomas Wharton's Icefields, another of the contenders in the 2008 Canada Reads contest. Haven't been able to find it anywhere (although I confess I haven't looked with my usual diligence). In the meantime I read his next novel, Salamander, a strange but intriguing fantasy of a printer, a mad baron, and, ultimately, of two men and their daughters.
