Showing posts with label Angie Abdou. Show all posts
Showing posts with label Angie Abdou. Show all posts

Tuesday, February 08, 2011

Canada Reads 2011 - Day Two, Round Two

After the reminder from Jian Ghomeshi that 'We're looking for the essential Canadian novel of the last decade,' he referred to Canada Reads as 'Canada's annual title fight.' I mention this because I think a lot of people are taking Canada Reads waaay too seriously (although more on this subject in subsequent posts, after the 2011 competition is over. But then I gather some folks watch those Idol shows too, as well as other televised abominations like So You Think You Can Dance? - you may think you can dance but it's quite obvious to me that you're deluded.).

Defenders of the four remaining nominated titles (The Best Laid Plans, The Birth House, The Bone Cage, and Unless) discussed the contest at the top of the show. 'This,' said Ali Velshi, is serious business.... I want to make the best case that I can, and the most relevant case that I can.'

Reflecting on the fact that Essex County was eliminated yesterday, Lorne Cardinal said, 'I was the heel, I just happened to be sitting in the number three [voting] spot.'

Ghomeshi mentioned again that Unless was trailing in the online poll on the first day of the contest. Lorne Cardinal said he was surprised, since Carol Shields is one of our premiere authors, and Unless is a literary gem. At this point Ghomeshi pointed out that Unless did not win the Pulitzer Prize, but that The Stone Diaries did. It was unclear from the conversation whether Lorne Cardinal had actually been confused about this or not, but it was nice to get it cleared up. 'She's still a Pulitzer-prize winning novelist though,' said Cardinal, which nicely covered his factual error – whether inadvertent or deliberate.

Georges Laraque appeared on the show wearing a T-shirt made by Angie Abdou with a photo of the two of them on it. He pointed out that she has the least funding support of all the books in the contest (presumably because The Bone Cage was published by NewWest Press, a small Western Canadian publisher, while the other books have the marketing muscle of Random House Canada, Harper Collins, and McClelland and Stewart behind them).

Today's show featured author descriptions of the novels, which was a pleasant change of pace, followed by 30-second defenses of the books. Terry Fallis said that The Best Laid Plans, which won the 2008 Stephen Leacock Medal for Humour, was 'the story of an accidental MP.' Ali Velshi declared the book is essential because we're all fed up with politics. 'This book is about making democracy work ... and it's as current today as it was when it was written.'

Ami McKay's clip described The Birth House as being about science at the turn of the 20th Century. 'Dora Rare...is destined to become the midwife for her community, but she's reluctant.' Debbie Travis went on to say, 'It's about a changing world ... it's about holding onto our traditions and embracing our future,' and about 'using our past for the benefits of today.'

Angie Abdou summed up The Bone Cage very succinctly by saying, 'The Olympics leaves its athletes' broken souls. The Bone Cage shows why.' Georges Laraque amplified this theme by saying it's a novel about 'what happens when a body fails' and that 'we all face failure.' He also reminded listeners that it's a 'story about love' (the love Sadie has for her grandmother).

A 2002 Carol Shields recording described Unless as 'The voice of a woman, a 44 year old mother with three daughters,' one of whom has become a derelict who lives on the street with a sign saying 'goodness' hung around her neck. 'This is the great loss that I'm speaking about.' Lorne Cardinal said Unless is a novel within a novel within a novel, written in the 'language of love, loss, laughter and hope,' full of 'transcending moments' and 'stellar' writing.

Ghomeshi's opening question for this round was, 'Which of these four remaining books is the best written?'

Velshi pointed out that, 'Well written can mean many different things to many different people' and said that to him, well written meant accessible. While Shields is the most accomplished writer, The Best Laid Plans is the most accessible of the four remaining novels in the competition. 'It's satire ...a little bit of humour and a little bit of sarcasm.... It's not a dark book, but it's about a very serious issue. It makes you laugh every two seconds.'

Debbie Travis pointed out that there's a big difference between an accessible book and an essential book. 'We're here for the essential book.' But she continued by saying The Birth House was the best written. 'A book is a fantasy, it's a world ... it's like watching a movie.... You're involved in this story, you look up from the book and say, 'oh, I'm not in 1917.''' She found Unless predictable. 'My book has a beginning, a middle and an end, and it draws you in.' (See below for more of Debbie Travis's thoughts on Unless – and for her confession re The Best Laid Plans.)

Georges Laraque came out swinging by stating, 'This contest is not about picking your favourite book.' 'Everybody has to relate to that story.' 'If you go with your personal choice, that's being very selfish.' 'Everybody knows people who are into sports.' He then said Shields' Larry's Party should have been the Canada Reads contender, not Unless. 'Unless was hard to get into ... the wording.' 'Our role is to get Canada to read more.' If Unless is selected ... 'they'll never read again.'

Sara Quin responded with, 'I totally disagree' and picked Unless as the best written of the four remaining books, describing the story as beautiful and moving. (Which of course has nothing to do with the way it's written, story being plot, not style, but never mind.) She also liked The Best Laid Plans for its entertainment value. 'You could pick up this book in an airport ... it's easy to read, it's a great story ... it's the quickest story ... it's the easiest read.' She then said, 'It's a bigger idea, a more universal issue,' a remark that didn't really become clear until later in the debate.

Lorne Cardinal of course stuck with Unless as the best written of the four novels, saying, 'Structure is key to understanding content.' He then immediately undercut the argument he may or may not have been trying to make re the structure of Unless by actually talking about how well the book is written: 'You can flip it open at any page and read it out of context, pick any page and read and it will jump out at you.'

Debbie Travis said Unless is 'beautifully written, but it's two books in one.' 'She writes about writing a book' and felt the 'story that's going on within the story is too introspective.' Which may have been a response to the red herring regarding structure introduced by Cardinal.

Cardinal responded by saying Unless is 'a novel that promotes thought and debate and that's the point of literature.'

Velshi then said Unless is 'not as easy a book to read' as The Best Laid Plans and if accessibility is what you're going for, it's not the most accessible but it 'does cause you to fire different synapses.'

Cardinal responded to Velshi's claim that Unless is not easy to read by saying, 'woman's voice is under-represented in our literature [sic] canon today,' that Shields was a victim of her own success and that her work is currently suffering from 'The Munro Principle' – she's already won a lot of awards. He then startled everyone by saying if Unless were taken off the table, he'd pick The Birth House (as best written? As most essential read? That wasn't quite clear).

Ghomeshi summarized this year's nominees as all being about loss: loss of a daughter (Unless), loss of career hope (Essex County), loss of mobility (The Bone Cage), 'The Birth House has all sorts of calamities, ' Angus in The Best Laid Plans loses his wife and writes to her after her death, then asked the panelists, 'Which book deals with loss most memorably?

Sara Quin said Unless, and talked about the scene where Reta drives around the block looking for her daughter, who's living on the streets, finally spots her and is happy because she sees her daughter's wearing gloves on a cold day.

Georges Laraque talked about Sadie losing her grandmother in The Bone Cage. 'She takes time to see her grandmother and it's killing her inside ... but she still needs to focus ... when she loses her mobility that totally kills you – it's heartbreaking – what is she going to do, how will it affect her spirit?' 'Nothing is guaranteed.'

Ghomeshi interjected, 'I found it an incredibly powerful meditation on loss when she loses her mobility.'

Sara Quin then talked about The Best Laid Plans' Angus writing letters to his wife after she was dead and how touching she found them. She then spoke about focus and drive and the parallel between being an athlete and being a musician. 'I hurt my finger and I can't even wash my hair properly,' she said, immediately followed by 'that was silly.' Since I'm already being accused in this blog of being anti Sara Quin, I'll just let that one go, shall I?

Cardinal spoke about Unless again. Shields, 'writes about loss, but she also writes about hope .... she writes about the fragility of our lives' and about '... a child discovering the world and their place in it.'

Debbie Travis pointed out loss was a theme in all five of the books. But, 'I don't think the writing of The Bone Cage and The Best Laid Plans can hold a candle to Unless.' And then, having answered the previous question about which book was the best written and having reluctantly named Unless this time, she said, 'What I hated about the book [Unless] ... was I was so not interested in her writing journey...' The real corker in today's debate came next, when Travis confessed she hadn't been able to get through The Best Laid Plans. She got angry with it – felt her time was worth more than this – didn't find it funny at all. In fact, she said, it was 'so unfunny I wanted to throw it away. I liked the Scottish guy. I'm not interested in Canadian politics.'

Velshi then pointed out that, 'Debbie is very very stuck on this idea, like many people, that they don't like politics.' His alternative interpretation is that The Best Laid Plans is a, 'a story about inspiration for change.' To which Debbie Travis replied that the inclusion of Angus' letters to his dead wife were an excuse for bad writing. 'You said be truthful.'

Ghomeshi returned to the conversation, saying that 'Unlike most CBC game shows – winning Canada Reads can actually be pretty lucrative' and claiming that it fuels book sales in the same way (although not to quite the same extent) as The Giller Prize. (Note: I'm working on another post on this subject for next week.) After winning Canada Reads, Lawrence Hill's The Book of Negroes sold half a million copies, said Ghomeshi.

The four remaining authors were asked what they'd do for their books' defenders if the book won the Canada Reads contest. Terry Fallis said he'd not only owe Ali Velshi big, he'd write him in as a character in his next novel. Ami McKay announced Debbie Travis would have to renovate her kitchen if she doesn't win. Angie Abdou vowed not only to do an Ironman contest, but to peel oranges for her defender. Anne Giardini, Carol Shields' daughter, said she'd buy Lorne Cardinal some Haida artist earrings.

'You can't talk about Canada any more without talking about how Canada has changed in the last few decades – it's incredibly diverse,' said Ghomeshi, then asked, 'Which of these books best speaks to Canadian society today?'

Cardinal said he wasn't sure, that each appeals to a cross section and some are very specific to certain audiences. The Bone Cage, he said, is about athletes – and then went on to describe the structure of the writing as 'a bit convenient.'

'If someone were to say, these are all "white books" what would you say?' Ghomeshi asked. To which Cardinal replied, 'Well, obviously they are.' He went on to talk about the appeal of Unless to women and the fact that it was written by a woman. 'It's ridiculous to think women haven't contributed to the literary form.' (I didn't quite follow this line of reasoning, as three of the five books nominated this year were written by women and focus on female protagonists, but never mind.)

Sara Quin agreed the novels weren't very diverse, but then explained her previous airport remark by saying there was 'a celebrity nature' to The Best Laid Plans and that there was something universal about it, as with all big best sellers – 'it's paced in a way that we've become used to expecting in books and films.'

Laraque defended The Bone Cage by saying, 'This is not just about sports. The Olympics aren't the point – it's the journey.' And then attacked Unless by saying it was hard to read. Velshi repeated that The Best Laid Plans is a call to action.

Ghomeshi updated listeners on the online polling and stated that while yesterday Unless was the book chosen for elimination, today it was The Bone Cage, with Unless following closely.

Debbie Travis said The Birth House is about community and 'the forever-changing roles of women and men.' It's 'so relevant today' and 'it's a novel you'll never forget.' (Presumably also one that doesn't inspire rage for its sheer unfunniness either.)

Cardinal said he didn't trust polls, that 'I can't apologize for excellent writing,' and that while The Best Laid Plans is 'great brain candy, it doesn't delve deeply.'

Laraque got the final word before voting began, saying, 'We have to talk about the book ... that inspires people to read.'

Voting results

Debbie Travis voted to eliminate The Bone Cage.
Georges Laraque voted to eliminate Unless.
Lorne Cardinal voted to eliminate The Bone Cage.
Ali Velshi voted to eliminate Unless.
Sarah Quin voted to eliminate The Bone Cage, breaking the tie.

Laraque's reaction was spontaneous but controlled: 'I'm so mad right now.' 'I'm speechless.' 'I'm in shock. That was not supposed to happen.' 'I don't understand it ... when I picked this book ... I picked a book that would make a difference.'

Ghomeshi described The Bone Cage as 'an outstanding, moving novel.'

Cardinal said, 'it's just about the writing' and that 'structurally Carol Shields is head and shoulders the best writer at this table.'

Travis said, 'I really looked at the writing of The Bone Cage ... this is an important book ... this is a book that should be read in schools ... but I don't think the writing is as good as Carol Shields'.'

Sara Quin said she 'thought it was the weakest of the books ... I felt like I needed to be consistent.'

It is interesting that The Best Laid Plans and The Birth House haven't had any votes against them to date. It's even more interesting to me that after confessing she found The Best Laid Plans too infuriating to finish, Debbie Travis voted to eliminate The Bone Cage. In the meantime, The Bone Cage defender Georges Laraque indicated he'd be supporting The Best Laid Plans until/unless it was eliminated.

Tomorrow: another book will be eliminated at the beginning of the show.

Monday, February 07, 2011

Canada Reads 2011 - Day One, Round One

I'm just going to assume, for the purposes of this post, that everyone reading it already knows about Canada Reads, that everyone knows it's the 10th anniversary of this annual Survivor crossed with American Idol contest, and that the format has changed slightly this year, with far more reader/general public involvement via social media, and that the task this year was to select the 'must-read novel of the first decade of the new millennium.'

This year's nominees are:

Terry Fallis' The Best Laid Plans, defended by Ali Velshi

Ami McKay's The Birth House, defended by Debbie Travis

Angie Abdou's The Bone Cage, defended by Georges Laraque

Jeff Lemire's Essex County, defended by Sara Quin

Carol Shields' Unless, defended by Lorne Cardinal

Here's my synopsis of what happened during the first round – when the defenders got to vote to eliminate one of the five books nominated.

Velshi mounted a spirited one-minute pitch for The Best Laid Plans, talking very quickly while mentioning the fact that it's a 'fast-moving political satire set in the Ottawa area' and as such, was an important book for all Canadians to read (since politics affects all of us, whether we vote or not). His pitch was serious but also humourous, and he got a big laugh when he said 'if you choose another book, it's like choosing the radish as a national vegetable.' Touching briefly on voter apathy (on the rise in inverse proportion to voters' ages), he described the novel as 'not only a call to action' but something that 'can actually work' to combat voter apathy.

Debbie Travis was no less eloquent in her advocacy of The Birth House, and she scored some real points for taking the novel out of its 'historical' context and placing it in a broader human and contemporary setting. 'It's about what really shapes society,' she said, set at a time when modern medicine, the emancipation of women, and the first of our two 'world' wars were all factors in Canadian society. Cleverly pre-empting potential attacks on The Birth House as a 'likely to appeal to women only' novel, she said it was about men's role in society and that it represents an examination of 'the best of tradition, the best of the future.' She nicely wrapped up her pitch by saying it's a particularly appropriate novel to read at a time when we're struggling to cope with the fact that any 'new technology changes us' as a society.

Georges Laraque came out swinging in the nicest possible way when he talked about The Bone Cage. It's a novel for 'kids, teens, adults, men and women' he said. (The only people left out were pre- and elementary schoolers and the multi-gendered.) Without alluding to the fact that Canada had recently hosted the winter Olympics, he focused on the book's universal themes and appeal. While it's a novel that does explain why Olympic athletes are so driven, he said, it's a really about the very human struggle to 'beat the odds.' 'Life is a battle – this is what this book is all about.'

Knowing that she was defending the contest's one graphic novel, Sara Quin made a fatal strategic error by choosing to tackle the subject of graphic novels head on, instead of talking about the book she was actually supposed to be promoting/defending. While she did mention that she'd chosen the book because of its 'haunting connection between characters' and said that the illustrations made you 'feel like you're in the book,' she also spent far too much of her initial one minute talking about how Essex County 'transcends the genre' of the graphic novel.

Last up was Lorne Cardinal, whose pitch for Carol Shields' Unless began with a mention of her Pulitzer Prize (which an earlier Shields' novel, The Stone Diaries, had won, but never mind). Cardinal focused on the universality of the book's theme – loss – and described it as 'a symphony for the eyes,' a novel that 'transcends words' through the multi-dimensionality of its characters. He implied the novel was a haunting work of fiction that lingers 'in our minds.'

At the end of this round, Jian Ghomeshi summed up the five novels' appeal, saying that going into day one of the Canada Reads live event, The Birth House and Unless had been categorized as novels primarily appealing to women, The Best Laid Plans as interesting to political junkies only, and Essex County to indie hipsters.

Laraque's response to this statement was to say, 'we want people to read more ... if we pick the wrong book, they'll never read again.' He then took a shot at The Birth House, saying most of the men in the book were 'pigs, rapists and warriors' (who wants to read about that?). Velshi attacked Essex County, saying it was like the iPad of books – to which Sara Quin hastily responded, 'we need young people to start reading books' and 'the iPad saved Apple.' Lorne Cardinal was more of an equal-opportunity attacker, saying that The Best Laid Plans 'could turn people off voting and reading' and describing Essex County as a book that represented 'the gateway to reading' rather than reading itself. Unless, he said, is a book that 'gets people thinking about things rather than things.' Oddly this actually made sense – what he was trying to say was that Unless gets people thinking about life and issues rather than material goods. Laraque returned to the attack on Essex County, asking whether it could be considered 'the essential novel' of the last decade. Quin said something, but Laraque trounced her soundly by saying, 'you say it's a novel, but Jeff calls it a cartoon.' Even though I'd already gathered from tweets that Essex County was going to be the first book eliminated, for me it was at this point in the program that I knew it was going down – and why. Poor offense on Quin's part and an even poorer defense? I knew Essex Country was history.

Ghomeshi then asked the panelists, 'Aside from the characters in your own book, which character resonated the most for you?'

For Velshi it was The Birth House's Dora, a character who embodied the contrast between 'modernity and tradition' and who had 'one foot in the old world, one foot in the new world.' Lorne Cardinal chose Jimmy LeBeuf from Essex County, a character whose 'best moment' – his one game in the NHL before a career-ending slam into the boards - had shaped and transformed the rest of his life. Oddly, at this point, Sara Quin piped up to deny there was a character named Jimmy in Essex County, and talked briefly about two other characters, Lou and Vince, before remembering Jimmy. Georges Laraque chose Angus from The Best Laid Plans, saying 'he has kind of my personality' – described by one reviewer as 'witty and charming.' Sara Quin picked Reta Winters from Unless, because she was a writer and a mother, and because she was moved to tears by the grief and longing in the book's passages that described Reta's missing her daughter. Debbie Travis chose Digger from The Bone Cage, saying 'it's a book about striving...and failure.' She said that as someone who wasn't a sports fan, she hadn't expected to like The Bone Cage, but that she was fascinated by Digger the wrestler. Knowing that failure 'is crippling in the end,' she was 'interested in the journey people take to be the best they can be.'

Ghomeshi then said that the least popular novel to date from the voting public was Unless, but that 'the nation awaits' the first panelist vote. And here are the results:

Georges Laraque
Voted to eliminate Essex County

Sara Quin
Voted to eliminate The Bone Cage

Debbie Travis
Voted to eliminate Essex County on the grounds that it did not meet the 'essential' reading criteria.

Lorne Cardinal
Voted to eliminate Essex County on the grounds that it isn't actually a novel, but is, rather, a collection of short stories.

Ali Velshi
Voted to eliminate Essex County.

At this point Sara Quin went on a bit of a subdued rant, saying the other panelists 'represent a demographic that isn't going to read this book' and that Essex County 'will capture a younger viewership' [sic] while the other novels represented choices that were 'more traditional and safe.' Which was a little odd and not terribly gracious.

Tomorrow: round two of Canada Reads.

For all the information you could want about Canada Reads, here's the official page. And if you don't mind hearing the news before you've had a chance to listen to the show yourself, follow the #CanadaReads hashtag on Twitter.

Update: See this review of Essex County if you want to get some sense of what the book's actually about - something that none of the Canada Reads panellists managed to convey during the three days of debates. Spelling of characters' names have been silently corrected in this post after reading the review. (February 9, 2011)

Here's the Canada Reads Day Two roundup. And here's the roundup for the third and final day.