Wednesday, June 16, 2010

Dangerously good: a review of Carole Enahoro's Doing Dangerously Well



The jacket blurb describes Carole Enahoro's debut novel, Doing Dangerously Well, beautifully: 'An irresistibly dark comedy about disaster capitalism, cutthroat office politics, vicious sibling rivalry, hapless do-gooderism and the corporatization of water...'

When the Kainji Dam in Nigeria – yet another miracle of engineering built in the 1960s – bursts, more than a million Nigerians are killed, hydroelectric supply is threatened, and the collateral damage is incalculable as water-borne disease and water shortages sweep across the country. (Interesting to note how very brief the Wikipedia entry on this dam is, and of course, to note that it's only ever operated at two thirds capacity, with only eight of 12 turbines installed. Ahem.) Even more interesting is this 1999 report on the condition of the Kainji Dam – including the priceless comment that rather than repair the dam to avoid catastrophe, Nigeria has chosen to build more dams instead.

With the failure of the dam providing the opportunity for disaster capitalism (surely as old a concept and as inevitable a practise as war, crop failure, flash floods and plagues of locusts themselves), the scene is set for Enahoro to introduce the other elements: office politics, sibling rivalry, do-gooderism and the debate re resource exploitation versus fundamental human rights.

She does so skillfully, setting up two parallel tracks of sibling rivalry that continue throughout the novel. The Glass sisters (no relation or homage to Salinger's Glass family), Barbara and Mary, couldn't be more different – although they're both brittle in their very different ways. Mary – the 'successful' daughter – is a member of middle management at TransAqua Corp., where she specializes in water rights acquisition. As Associate Director of Sales, she's buttoned down (to put it mildly), a wearer of 'air hostess' suits, verging on the anorexic, and eaten alive by the stress of trying to outdo – and replace - her boss. Barbara's a 'soft skills' facilitator eking out a living building solidarity among groups, making herself obnoxious by being disruptive in her yoga classes, and concocting ever more garish 'Third Worlder' outfits (you know the type: hat from Tibet, jacket from Guatemala, skirt from India, earrings from Nepal, necklace from Bolivia). 'Though a committed vegetarian whenever possible, Barbara had a soft spot for Rare Heritage, a well-meaning group who preserved breeds that farming giants had made almost extinct. As humane farmers, she supported them philosophically and therefore continued to slog along with them, despite their lack of solidarity.'

In her role as a facilitator, Barbara hopes to bring the group closer together by getting them to do a bold exercise: write down something shocking (not related to farming or animals) that no one knows about them. The results:

  • I enjoy the switch of the lash on my bare buttocks.

  • I had sex with a contortionist.

  • I went to Mexico for a holiday – viva México!

  • I once had sex with my brother for a dare.

  • I suffer from paranoid schizophrenia and once tried to kill my teacher.

  • I am a vegan.

Meanwhile, back in Nigeria, Ogbe Kolo, the Minister of Natural Resources, successfully manipulates the American ambassador to Nigeria via Mary Glass, the army and the media to ensure a successful coup: 'On the preferred date for coups in Nigeria, that is to say the first day of January, Ogbe Kolo acceded to the presidency. Citizens greeted each other with the customary salutation for the New Year: “Happy New Coup.”' Kolo isn't primarily interested in the power of the presidency – he just wants to ensure that as president he can sign away the water rights to and rename the Niger River so he can make a killing on the transaction. Kolo has a dark secret though: his sibling rivalry was so intense he pushed his (sweeter, smarter, better looking) fraternal twin brother into a swimming pool – and then calmly watched him drown.

Devastated by the loss of his entire family in the flooding, Femi Jegede, one of Nigeria's great orators and activists, possessing 'wit and style, backed by strong legal training' who could 'make pounded yam of the most logical argument' and with 'the one gift that makes even the listless adjust their clothing in anticipation ... a beautiful man, with skin as soft as Guinness beer and gentle, transcendent eyes...a very qualitative guy' makes a slow recovery. Eventually he mobilizes himself and the countryside to sabotage the repairs to the Kainji Dam, aided and abetted by Barbara Glass, who's decided she's had enough of having her parents throw her sister Mary's success in her face at every family gathering and has joined an Ottawa-based NGO called Drop of Life, stolen her sister's blueprints for the rebuilding of the Kainji Dam, and headed for Nigeria to foment opposition to the plan.

The scenes of Barbara Glass in Nigeria and the dialogue between Barbara and Femi are some of the most hilarious in the novel, with Barbara spouting Taoist syllogisms and mangling Nigerian pidgin while Femi must surely be contemplating sticking knitting needles in his ear so he no longer has to listen to her.

This is an immensely complicated novel in many ways, with a reasonably large cast of characters, not one of whom plays the straight man role. Its plot is both intricate and intriguing. If you think of Joseph Heller's Something Happened crossed with Chinua Achebe's Things Fall Apart and a dash of William Boyd's A Good Man in Africa you begin to get an inkling of its scope. But then you also have to think of films like The Gods Must be Crazy and the amazing documentary Pray the Devil Back to Hell and throw them into the mix to get some idea of what Enahoro has achieved with this novel.

It's a brilliant debut – the kind of first novel that leaves you waiting eagerly to discover what Enahoro's going to do next. Whatever it is, I think you're guaranteed it's going to be interesting.

For another (rather churlish and poorly informed, I thought) take on the novel, see this review in the Winnipeg Free Press (ignore the typos in the proper names of the dam and the activist).

And for more info on the Kainji Dam, here's a short documentary:

Disclaimer: I received a review copy of Doing Dangerously Well from Random House Canada.